Curatorial Practice

My curatorial practice grows directly out of my artistic work. I carry the artistic mode of thinking - attention to gesture, material, space, and subtle, often invisible tensions - into the exhibition as a whole situation.

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As in my artistic practice, I am interested not in constructing closed narratives, but in creating conditions for co-presence and concentration. Curatorship allows me to move beyond the limits of my own works and to bring the experiences, positions, and artistic languages of other artists into the field of research, deepening the questions I explore in my own practice.

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Location is a key element of my curatorial work. I approach space not as a neutral backdrop, but as an active participant in the exhibition, shaping the direction of thought, the viewer’s movement, and the intensity of interaction with the works. Context - whether a shopping mall, an apartment, public space, or a non-institutional platform - often becomes the starting point of a curatorial decision and defines the internal logic of a project.

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In my curatorial projects, I work with memory, embodied and collective experience, vulnerability, and subtle internal shifts that emerge through everyday gestures and interactions with space. I am interested in how an exhibition can function as a process in which artworks, location, and the viewer remain in continuous dialogue.

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For me, curatorship is not a separate professional role, but another plane of the same research I pursue as an artist. It is a way to expand the field of conversation, create space for multiple voices, and allow the questions that matter to me to resonate through diverse artistic practices and perspectives.